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Violet Teague & Jessie Traill

Video clip synopsis – Violet Teague and Jessie Traill were part of a remarkable group of independent women who, in the early 20th century, were able to devote their lives to art.
Year of production - 2006
Duration - 5min 0sec

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Violet Teague & Jessie Traill

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About the Video Clip

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Violet Teague & Jessie Traill is an episode of the series Hidden Treasures (15 × 5 mins) produced in 2006.

The National Gallery of Australia has more than 100,000 works in its collection—an extraordinary reservoir of creative vision and cultural history, from decorative arts to photography and sculpture.

Yet on a visit to the gallery, you’ll see only the tip of this iceberg. Carefully stored away are the things that can’t be placed on permanent display.

These unseen gems include works of exquisite fragility, from brilliant hand-painted fabrics to delicate works on paper. From Australia, the Americas, Africa, Asia, Europe, the Middle East and Oceania, there are masks and carvings, lithographs and linocuts, set designs and stage costumes, sketchpads and handprinted books, marionettes and maquettes, teapots and textiles, and much, much more.

Now in this series of micro-docs, former director of the gallery Betty Churcher presents an insider’s guide to some of these 'hidden treasures’.

In the entertaining, accessible style for which she is renowned, Betty Churcher takes us behind the scenes, sharing with us her passion and insights. From her unique vantage point, she makes intriguing connections between a range of different objects and artists, linking them to the stories that surround them.

These are fascinating tales—about the works themselves, the people who created them and the challenge of preserving them—and a tantalising look at some of the ideas and influences that have shaped modern art across the globe.

A Film Australia National Interest Program in association with Early Works. Produced with the assistance of the Australian Broadcasting Corporation.

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Background Information

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During the first two decades of the 20th century there was a spirit of emancipation among Australian women. Many now saw art as a viable career, enrolling in art schools across the country.

Violet Teague and her friend Jessie Traill were part of a remarkable group of financially independent, middle-class women who never married, allowing them to devote their lives to art. From an early age both women travelled regularly overseas, which put them in touch with international trends.

Jessie Traill’s hand-coloured aquatint The Red Light, Harbour Bridge, June 1931 shifts the emphasis of etching from the intimate to the dramatic. It owes more to the etching revival in Europe than the brightly coloured wood and lino block prints popular in Australia in the 1930s.

Violet Teague’s handprinted children’s book Nightfall in the Ti-Tree, which she made with Geraldine Rede in 1905, uses handmade recycled paper made to look like Japanese mulberry paper and Japanese methods of binding and applying water-based ink with a brush. Even the asymmetrical placement of objects on the page is Japanese.

In 1920, Teague’s portrait The Boy with the Palette was exhibited in the Paris Salon, where it won a silver medal, and in the following year it attracted acclaim at an exhibition at the Royal Academy of London. It’s a splendid painting, equal to any portrait painted in Australia before World War One, and Traill’s etchings too hold their own. So why are both artists seldom mentioned in the story of Australian art?

Perhaps because they were women, but more likely because Teague interrupted her career to look after an ailing father. And also because the independence of both women enabled them regular trips abroad, which meant they were more in touch with artists and art movements there than at home.

Digital resources using the clip - Violet Teague & Jessie Traill

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Violet Teague & Jessie Traill

Violet Teague and Jessie Traill were part of a remarkable group of independent women who, in the early 20th century, were able to devote their lives to art.

National / National Year 9 & 10 / National Year 9 & 10 Visual Arts / National Year 9 & 10 Visual Arts Creating, making and presenting
National / National Year 7 & 8 / National Year 7 & 8 Visual Arts / National Year 7 & 8 Visual Arts Creating, making and presenting
VIC / VIC VCE Unit 1 / VIC VCE Unit 1 Art / VIC VCE Unit 1 Art Developing Ideas and skills - Outcome 1
VIC / VIC VELS Level 6 / VIC VELS Level 6 The Arts / VIC VELS Level 6 The Arts Exploring and responding
National / National Year 9 & 10 / National Year 9 & 10 Visual Arts / National Year 9 & 10 Visual Arts Art criticism and aesthetics
National / National Year 9 & 10 / National Year 9 & 10 Visual Arts / National Year 9 & 10 Visual Arts Past and present contexts
VIC / VIC VCE Unit 4 / VIC VCE Unit 4 Studio Arts / VIC VCE Unit 4 Studio Arts Studio production and art industry contexts
VIC / VIC VCE Unit 3 / VIC VCE Unit 3 Studio Arts / VIC VCE Unit 3 Studio Arts Studio production and professional art practices
VIC / VIC VCE Unit 2 / VIC VCE Unit 2 Studio Arts / VIC VCE Unit 2 Studio Arts Design exploration and concepts
VIC / VIC VCE Unit 1 / VIC VCE Unit 1 Studio Arts / VIC VCE Unit 1 Studio Arts Artistic inspiration and techniques
VIC / VIC VCE Unit 4 / VIC VCE Unit 4 Art / VIC VCE Unit 4 Art Discussing and debating art - Outcome 2
VIC / VIC VCE Unit 3 / VIC VCE Unit 3 Art / VIC VCE Unit 3 Art Interpreting Art - Outcome 2
VIC / VIC VCE Unit 2 / VIC VCE Unit 2 Art / VIC VCE Unit 2 Art Art and the individual Outcome 2
VIC / VIC VCE Unit 1 / VIC VCE Unit 1 Art / VIC VCE Unit 1 Art Art and Society - Outcome 2
VIC / VIC VELS Level 6 / VIC VELS Level 6 The Arts / VIC VELS Level 6 The Arts Creating and making
National / National Year 9 & 10 / National Year 9 & 10 Australian History / National Year 9 & 10 Australian History Australian Biography